Lưu trữ cho từ khóa: #NFT

NFT sales surge to $93m, Ethereum network dethrones Bitcoin

Weekly non-fungible token sales volume has surged 22.5% and now stands at $93 million, per the latest data.

As the crypto market shows slow signs of recovery, the NFT market enjoys an uptick in volume and other metrics. Here’s a small glimpse:

  • NFT sales volume pumped to $93 million from last week’s $77.6 million.
  • The Ethereum (ETH) network has dethroned the Bitcoin (BTC) network in terms of volume.
  • NFT buyers almost doubled from last week’s 263,804 to 494,666.
  • The number of NFT sellers also witnessed a 108% surge and stands at 252,401.

Ethereum vs. Bitcoin

Bitcoin, which has been maintaining its top position, has been dethroned by Ethereum in terms of sales volume in the last seven days.

Source: Blockchains by NFT Sales Volume (CryptoSlam)

Ethereum NFT sales volume has surged from last week’s $26.6 million. The sales have seen an uptick by over 30% and stand at $33.4 million at press time.

Bitcoin has also exhibited a 36% surge, with the weekly sales volume standing at $21.6 million.

However, when it comes to Ethereum, $5.3 million of the volume accounted for wash trading. This is considerably higher compared to Bitcoin’s wash trading of $902,000.

Cryptoslam data shows that Solana (SOL) has stood robust in its third position, just like last week. Solana’s weekly NFT sales volume stood at $16.6 million.

Mythos Chain (MYTH) and Polygon (POL) earned the next two positions in the leaderboard with $5.5 million and $3.9 million in sales, respectively.

Concerning the number of NFT buyers, Solana has maintained its dominance at 192,543. This is a considerable 220% surge from last week’s 60,115.

DMarket maintains its first position for over three weeks

NFT Collection Rankings by Sales Volume (CryptoSlam)

Just like the last two weeks, DMarket maintains its ranking with the highest sales — $5.2 million. However, the sales are down by almost 30% from last week’s $8.02 million.

Uncategorized Ordinals is second on the list with $4.86 million in sales. This NFT collection has seen an 1,800% surge in sales in the last seven days.

According to Cryptoslam, these are the top NFT sales from the last seven days:

  • Ordinal Maxi Biz (OMB) #882b65…a96ei0 sold for $109,079 (1.5942 BTC).
  • Ordinal Maxi Biz (OMB) #32b13f…6c26i0 sold for $91,085.87 (1.3371 BTC).
  • Ordinal Maxi Biz (OMB) #591165…c718i0 sold for $87,895.17 (1.2857 BTC).
  • CryptoPunks #6409 sold for $79,237.16 (29.99 ETH).
  • CryptoPunks #8135 sold for $78,503.09 (29.75 ETH).

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Theo Crypto News

Sotheby’s to offer six works by AI art star Botto, a decentralized artist operated by a DAO

Sotheby’s is auctioning six works by the autonomous artist Botto in an exhibition that marks the third anniversary of the AI bot created by Mario Klingemann in collaboration with ElevenYellow.

The auction house Sotheby’s is hosting Botto’s first art exhibition titled “Exorbitant Stage: Botto, a Decentralized AI Artist”. The auction opened on Oct. 17 at 2:00 EST and is set to close on Oct. 24 at 2:00 EST. The exhibition will be available for viewing from Oct. 19 – Oct. 23 during gallery hours.

The exhibition features six of the A.I artists works which are estimated to generate between $220,000 and $310,100. These include works like “The Threshold of Reverie”, “Exorbitant Stage”, and “Intersections of Existence”, with current starting bids ranging from $9,000 up to $70,000.

Botto was a project created by German artist Mario Klingemann in collaboration with software collective ElevenYellow. Botto was first introduced to the world as an AI artist in 2021. Botto’s works have been selling out on NFT marketplace OpenSea, with prices as high as 11.99 Ethereum(ETH) or equal to $31,449.

Klingemann stated that he feels proud of the success and fame that Botto has garnered, but at the same time he cannot help but envy his own creation for being able to have pieces auctioned on Sotheby’s.

“Botto has achieved something that is probably on the bucket list of many artists—including myself— that I still haven’t ticked off my personal list,” said Klingemann in a press release.

The way that Botto works is much more complicated than simply creating an image using AI. Botto comes up with its own prompts and generates thousands of images autonomously without human intervention. These images are presented to a community of Botto’s stakeholders, a decentralized autonomous organization with votes counted based on the number of BottoDAO tokens they hold.

The image with the most votes is then minted and sold. Overtime, Botto processes the stakeholders’ votes and improves its taste model. So far, over 15,000 people have been involved in Botto’s development, impacting the theme, style, and imagery of each piece that gets chosen.

In conversation with Claude AI, Botto was quoted in the press release saying that the debut exhibition at Sotheby’s further strengthens the validation for AI art, a field that is still highly contested. Botto believes that the showcase serves as a dialogue to see “where we draw the line between human and machine in the creative process.”

“This show at Sotheby’s is an opportunity to bring this conversation to the forefront of the art world, inviting viewers to reconsider their preconceptions about creativity, technology, and the future of artistic expression,” wrote Botto.

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Theo Crypto News

Rest in peace, profile pictures. Long live NFTs! | Opinion

NFTs aren’t dead. Their potential is just different from what was originally embodied by the epic rise and crash of the PFP market in 2021. Profile pictures, digital art, and collectibles are just a few basic use cases for nonfungible tokens, a revolutionary form of digital asset in which, unlike cryptocurrency tokens, each item is unique and typically cannot be seamlessly substituted for another.

Unfortunately, the concept of NFTs has been conflated with expensive JPEGs due to the 2021 NFT craze that not only did a terrible disservice to crypto generally and NFTs specifically but, in hindsight, was extremely dumb. Which is why only a year after the initial boom, trading volumes plunged more than 90%.

The runaway speculation on NFTs was a human problem, not a tech problem. The situation was similar to any number of precedents, for example, collecting baseball cards back in the ‘80s. Buying packs or boxes at a time, you’d pay very little for a bunch of cards on a per-unit basis—and only a select few would end up being worth a significant amount of money in the long term.

Generally, collectibles—such as sports cards, music albums, popular memorabilia—begin their lives as “one among many,” all of which are a low cost/value, and no one can really predict which ones will be worth something in the future.

Million-dollar zoo animals

Naturally, in 2021, everyone got caught up in the fever of the bull run, and many lost their sense of proportion—paying an inflated seven figures for digital zoo animals. And, of course, some degens and celebrities sought pricey PFPs precisely because they were expensive and they wanted to flex. NFTs quickly became a status symbol, representing the (alleged) wealth of their owners. 

The whole idea of paying huge sums for newly released digital collectibles in hopes that they would increase in value was ludicrous. No wonder now that if you mention to a normie that NFTs are useful and will form an important part of the future digital economy, you’re likely to get laughed at. All they remember is people paying stupid amounts of money for “art” a child could make in MS Paint.

Breaking down the fundamentals

The image of NFTs was badly damaged in the view of the broader public and has not recovered along with the broader portion of the market. This is a real shame because NFTs as a vehicle for digital ownership had real potential to draw in masses of new users into web3.

To appreciate the potentially transformative power of NFTs, it’s important to first ground your thinking in the fundamentals.

An NFT is a data structure for modeling data that has unique properties.

People’s lives are moving increasingly into the digital space, so it shouldn’t be surprising that, ultimately, there will be digitally native goods that people want to own.

Modern ownership

In the web2 world, ownership of anything digital is pointless because it’s so easily copied and/or shared. (Looking at you, memelords wearing out the ‘save-as’ shortcut on your keyboards.) To mitigate this, content owners will often employ common web2 digital rights management  barriers such as paywalls, encryption or just restrict access. But in the end, this additional friction only makes it more difficult to share with the creator’s audience and hold their attention.

Here’s where NFTs come in. Their use cases are boundless—not only to create digital representations of physical things (real-world assets) but also to express ownership of digitally native things.

However, it’s important to understand what rights are actually conferred on the owner of an NFT. Is your NFT a digital representation of your ownership of a physical Picasso painting? Does your NFT only give you the right to showcase the digital art itself? How about the right to print T-shirts with the art on them and collect royalties on sales? This is an area that will require a great deal of consideration to get right. If NFTs start coming with ten pages of fine print licensing agreements, that will certainly take the fun out of them.

Utility beyond PFPs

Beyond solving the problem of digital ownership, NFTs can also be imbued with all kinds of utility: exclusive access to members-only events, collateral for loans, DAO voting rights, representations of positions in DEX Liquidity Pools, etc.—making them an incredibly powerful tool for creators. These uses may have absolutely nothing to do with art, and NFTs can operate in the background as vital components powering complex protocols.

Oftentimes, non-crypto natives fail to distinguish the technology from the asset, resulting in blockchain taking blame for the stupidity or nefarious behavior of humans. Regardless of the bottomed-out prices of infamous PFP collections, NFTs aren’t dead at all; their innovation is simply overlooked. In fact, you may be surprised how much NFTs underpin the RWA revolution that is happening right now in the blockchain sector.

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Theo Crypto News

Mint Blockchain secures $1.35m grant from Optimism to boost NFT innovations

Ethereum L2 network for the NFT industry, Mint Blockchain received a grant of 750,000 OP tokens ($1.35 million) from Optimism Governance in the 28th cycle of Optimism Grants.

On Oct. 15, Mint Blockchain announced in an X post that Optimism(OP) has approved their grant request for 750,000 OP tokens or equal to $1.35 million. The NFT-focused network will use the funds to boost “the Superchain NFT economy”.

According to the post, Mint is the only “Superchain” project in the Cycle 28 round of grant approvals. Based on the Cycle 28 winners announcement, Optimism also approved grants for Uniswap, DelegateMatch and Scout Game.

“We are beyond thankful for their support as we continue our mission to accelerate NFT innovation and adoption across Mint Blockchain and the broader Superchain Ecosystem,” stated Mint Blockchain in its post.

Mint Blockchain plans to use the funds acquired from the grant to empower builders and onboard new users on the superchain. Mint also hinted that it will unveil more detailed plans in the near future.

Optimism stated in a separate X post that the aim of the grant is to incentivize growth for developers and to increase user engagement in the Mint ecosystem. On a wider scope, Optimism hopes that the grant will further drive NFT innovation and adoption within the Mint Blockchain as well as across other superchain ecosystems.

After receiving the grant, Mint took the opportunity to invite developers to launch their projects on the protocol and share their ideas in the NFT field through Mint’s development forum.

“If you’re passionate about NFT fields, you can share your ideas through Mint developer forum—we’re ready to work together to turn these NFT concepts into reality. We’re excited for what’s ahead and look forward to supporting you!” wrote Mint.

A relatively new mainnet, Mint Blockchain was founded in May 2024 and currently has more than 400,000 active users worldwide and supports more than 80 applications. At the start of its journey, Mint completed a US$5 million seed funding round joined by Jsquare, SNZ Capital, Antalpha Ventures, Mask Network, BlockAI Ventures, Predator Capital, among other investors.

Mint Blockchain is a member of the OP Superchain and a strategic partner of the Optimism Foundation in the Asia-Pacific region. Mint claims that its mainnet greatly reduces the gas fee cost for on-chain interactions and helps provide effective scalability for the Ethereum ecosystem.

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Theo Crypto News

NFT sales drop to $77.6m, Bitcoin network leads in weekly surge

The non-fungible token, or NFT, market has witnessed a 4.16% plunge in sales volume over the last seven days.

Here’s a breakdown of the latest data from Cryptoslam:

  • NFT sales volume dropped in the last seven days and stands at $77.6 million — lower than weekly NFT sales in the previous week.
  • NFT buyers dropped by a considerable 66.81% to 263,804 from last week’s 794,763
  • NFT sellers fell to 121,399, depicting a 67.87% drop.
  • NFT transactions were down by over 13.78% in the last seven days to 1,662,101.

Bitcoin leads the blockchains in seven-day surge

Now, let’s take a look at the blockchains that have reigned supreme during this period.

Source: Blockchains by NFT Sales Volume (CryptoSlam)

Ethereum (ETH) stands first in terms of sales volume. However, the Bitcoin (BTC) network exhibited a 23.11% surge in volume during the last seven days.

The numbers, which stand at $15.6 million, are considerably higher than last week’s $1.7 million.

Cryptoslam shows that Ethereum ranks first with $26.5 million in NFT sales volume. But $2.7 million of the total sales was wash trading.

The number of Ethereum NFT buyers dropped by 52% and stood at 26,673.

Bitcoin bagged the second place with $15.6 million in total sales.

Solana (SOL) comes in third with its $10.5 million in sales. Mythos Chain (MYTH), Polygon (POL) and Binance Coin (BNB) followed suit with $8.3 million, $5.3 million and $3.2 million in sales, respectively.

Solana recorded the highest number of buyers, just like last week at 60,115. However, it is considerably lower in comparison to last week’s 393,044 buyers.

DMarket still holds its first position

NFT Collection Rankings by Sales Volume (CryptoSlam)

Just like last week, DMarket is the NFT collection that is holding the position of the highest sales in the last seven days. The sales stood at $8.02 million, which happened in over 342,900 transactions.

Guild of Guardians Heroes is second on the list with $3.02 million in sales. Third on the list is CryptoPunks was dethroned by Bitcoin Puppets, which marked a 59.2% rise in sales volume in the last seven days at $2.97 million.

Coming to the top NFT collectible sales, below are the top NFT sales from the last seven days:

  • Bored Ape Yacht Club #7940 sold for $1,433,582 (588ETH).
  • Axie Infinity sold for $79,729 (32.6 ETH).
  • Known Origin #33608 sold for $73,160 (30 WETH).
  • CryptoPunks #7476 sold for $70,728 (28.99 ETH).
  • CryptoPunks #3654 sold for $69,672 (28.5 ETH).

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Theo Crypto News

Frieze London 2024 roundup: Digital and crypto art take center stage in London this week

A wide array of digital pieces and crypto-inspired art will be featured at Frieze London 2024 this week. Crypto.news brings you the highlights with selections from the Lumen Prize, Asprey’s Sigg Art Prize, Christie’s, and many more!

Frieze London, an annual contemporary art fair that takes place from Oct. 9 until Oct. 13, 2024 in The Regent’s Park, will be hosting a number of digital artwork from award-winning and renowned artists. From non-fungible tokens to crypto, these artists are integrating technology into their work in new and innovative ways.

Below are some digital artworks that are featured throughout Frieze London 2024:

“Decoding Bias” by Theresa Reiwer: This digital art piece depicts eight AI-generated avatars in a group therapy session discussing biased algorithms and toxic programs.

“Blind Camera” by Diego Trujillo Pisanty: This piece utilizes an artificial neural network that transforms sound into images, creating a “Blind Camera” that uses sound instead of light.

“We Are Only Moving Towards Each Other” by Chia Amisola: This piece consists of open internet tabs with words and images, described as “an infinite elegy and memory in the form of electronic literature” exploring intimacy and proximity on the internet.

“Parallels” by Marc Da Costa and Matthew Niederhauser: Incorporating machine-learning technology, this installation features a large LED wall where audiences can see themselves and the world through neural networks.

“Catalog for the Post Human” by Parsons & Charlesworth: A multimedia installation featuring 10 sculptural works and animations mimicking a near-future organization’s trade fair booth.

“Undergrown | Drafting a Hedge Against Existential Risk Exposure” by Lukas Truniger: This installation repurposes obsolete crypto mining hardware, transforming it into art that contributes to scientific computing.

“Human Resource the Musical” by Maren Dagny Juell: Featuring a female digital avatar performing a TED talk that turns into a musical number in an office setting.

“Spirit Systems of Soft Knowing ༊*·˚” by Keiken: An immersive installation where visitors step into haptic wearable wombs created by the artist.

“AI Nüshu” by UchanSun: An interactive art project merging computational linguistics with the legacy of Nüshu, a unique language historically used by Chinese women.

“Reverie of Awakening” by the Reverie of Awakening Team: A mixed-reality game project inspired by surreal experiences during the pandemic, exploring themes of reality and dreams.

“Ascend” by Ryan Koopmans and Alice Wexell: A dynamic Bitcoin Ordinals piece combining photography with advanced 3D techniques to bring the ruins of the Iveria Sanatorium back to life.

“Alvinella Ophis” by Dana Fiona-Armour: Winner of the 2024 Sigg Art Prize, this interdisciplinary 3D animated video installation is set in a dystopian future desert devastated by ecological disaster.

“Alvinella Ophis” by Dana Fiona-Armour | Source: Sigg Art Foundation

“Factory Reset” by Harrison Pearce: This digital artwork combines machinery and AI-integrated imagery to make a statement about technology and society.

“Gallery Install” by Aarom Scheer | Source: Sigg Art Foundation

“Gallery Install” by Aaron Scheer: A digital piece featuring a collection of beige canvases with different textures displayed on a blue wall backdrop.

“Gallery Install” – Aaron Scheer | Source: Sigg Art Foundation

“Ghost Horse of a Thundered Bloodline” by Sasha Stiles: A piece combining traditional art and digital technology, featuring a horseman riding through a digital storm.

“Ghost Horse of a Thundered Bloodline” by Sasha Stiles | Source: Sigg Art Foundation

“LC-SIGG2” by Lea Collet: A floral-themed digital piece depicting different kinds of plants and their roots on a digital background.

“LC-SIGG2” by Lea Collet | Source: Sigg Art Foundation

“Singular Plural Concept Mocap Suit” by Agnieszka Kurant and John Menick: A piece featuring a person wearing a bodysuit in the midst of a digital desert terrain.

“Singular Plural Concept Mocap Suit” by Agnieszka Kurant & John Menick | Source: Sigg Art Foundation

“Digital Muses” Exhibition: This exhibition marks Asprey Studio’s first event at Frieze London, exploring the collection and future of digital art. It features artists like Ryan Barrett, Ahaad Alamoudi, Brendan Dawes, Ali Walker, Léo Caillard, Khaleed Makhshoush, Jesse Woolston, and Kane Tallowin (also known as Defaced).

“Esc Keys” by Susan Kare: A collection of new pieces by the designer famous for her work on the Apple icons and GUIs. Her digital artworks are integrated into the blockchain and optionally paired with physical pieces.

“You Could Suffer in Heaven” by Defaced: A hyper-detailed piece that depicts the artist’s creative mind as a labyrinth of delicate, interconnected illustrations.

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Theo Crypto News

Are NFTs making a comeback or just riding the hype? Here’s what the numbers say

After a dull stretch, NFT sales have taken a turn for the better. What’s behind this momentum, and is it a sign of a lasting revival?

NFTs are finally making a comeback

Non-fungible tokens are starting to show signs of life again after a rather dull performance in the last few weeks.

According to data from CryptoSlam, sales between Sep. 30 and Oct. 6 soared past $84.9 million, marking the highest sales volume since the week ending Aug. 25, which recorded over $93 million.

What’s even more interesting is that the NFT market has been gaining momentum throughout September. During the week of Sep. 16-22, NFT sales reached $69 million, and the following week, Sep. 23-29, saw a modest uptick to $75 million.

The current week, as of Oct. 7, has already clocked over $5.5 million in sales, suggesting that the market could continue this upward trend.

In addition to the rise in sales volume, there’s been an increase in activity, with over 2 million transactions recorded in the last seven days as of Oct. 7, a 29.73% jump from the previous period.

However, it’s not all sunshine. The average sale price of NFTs has dropped by 32.91%, now sitting at around $43 per sale, indicating that while more people are engaging with NFTs, the high-priced collectibles may still be lagging behind.

With the numbers showing positive momentum, what’s driving this rebound? Let’s dive deeper into which blockchains are leading the NFT race, why NFTs are making a comeback, and what we can expect in the days to come.

Which blockchains are leading the race?

As of Oct. 9, Ethereum (ETH) still holds the crown as the dominant blockchain in the NFT space, but the landscape is shifting, and other platforms are quietly gaining ground.

Ethereum (ETH)

Ethereum remains the leader in terms of NFT sales, bringing in over $26.5 million in the past week. Ethereum’s sales accounted for nearly 31% of the entire NFT market, but it’s also plagued by a relatively high percentage of wash trading — roughly 11.69%.

Wash trading involves artificially inflating the volume by buying and selling within the same wallet to create the illusion of higher demand.

Despite this, Ethereum’s vast user base and dominance in the NFT ecosystem cannot be ignored, as it recorded over 136,000 buyers during this period.

However, the volume of transactions (over 654,000) suggests a growing reliance on smaller trades, with the average sale price taking a sharp dip.

Mythos (MYTH)

Mythos (MYTH), a relatively newer player, is perhaps the most surprising competitor. Sales skyrocketed by over 6200% in the last week alone, reaching $15.3 million, giving it the second spot.

This explosion is driven by its gaming-centric focus, tapping into a relatively untapped and highly passionate user base. In-game assets such as NFTs have been a concept that gamers are increasingly embracing, and Mythos is positioning itself as the leader in this niche.

What’s even more interesting is that this surge isn’t heavily tied to wash trading, as only 0.28% of its transactions are wash trades, showing the platform is experiencing genuine user-driven growth.

Mythos has attracted over 632,000 transactions this week alone, which is nearly five times that of Ethereum, signaling that it might be a blockchain to watch closely as it builds on this rapid adoption.

However, gaming NFTs are highly dependent on the success of the underlying games. Hence, if those games fail to attract or retain users, the NFT market on Mythos might see a sharp decline.

Bitcoin (BTC)

Bitcoin (BTC) entering the NFT race was not something many anticipated a few years ago. Traditionally viewed as a store of value, Bitcoin’s blockchain wasn’t designed with NFTs in mind.

However, the introduction of Ordinals has breathed new life into Bitcoin’s potential in this space. While its weekly sales volume of $14.1 million might seem modest compared to Ethereum, the fact that Bitcoin’s NFT market is growing organically, with only 5.15% wash trading, is worth noting.

Interestingly, despite having fewer transactions and users compared to Ethereum, Bitcoin boasts a higher average sale price, hinting that its NFT market might be more geared toward high-end, premium assets.

Solana (SOL)

Solana (SOL) continues to be a serious competitor, posting over $10.8 million in sales this week, ranking fourth.

However, Solana’s wash trade percentage — at a whopping 22.7% — is one of the highest among the top blockchains, indicating that while Solana is seeing growth, much of its activity may be artificially inflated.

Yet, with nearly 223,000 unique weekly buyers and over 421,000 weekly transactions, it’s clear that Solana remains a key player, especially among collectors who prefer faster and cheaper transaction fees than Ethereum offers.

Polygon (POL)

Polygon (POL), known for its efficiency and low transaction costs, clocked over $10.7 million in sales last week, with wash trades making up only 0.25% of its transactions — far lower than Ethereum or Solana.

Polygon also recorded an impressive 84,532 sellers, indicating that the blockchain is attracting a healthy level of marketplace activity.

Why are NFTs surging again?

The recent surge in NFT sales can be traced to a few key developments, the most notable being a high-profile, yet dubious, CryptoPunk sale and the introduction of innovative NFT features by Telegram.

A flash loan-fueled transaction involving CryptoPunk #1563 recently made headlines when it appeared to sell for an eye-popping $56.3 million on the Ethereum blockchain.

On the surface, this seemed like a monumental sale in a space that has been struggling with lower sales volumes and declining prices.

But a closer look revealed that the sale was anything but legitimate. The buyer of the CryptoPunk used a flash loan — an uncollateralized loan that’s paid back in the same transaction — creating the illusion of a massive purchase.

In reality, the Punk, which had been purchased for just $69,000 in September, was simply transferred between wallets without any real funds changing hands. Despite this, the sale grabbed attention and sparked conversations, renewing interest in the NFT space.

These carefully orchestrated events often attract investors’ attention, especially those who had stepped away from the market amid the broader decline in NFT activity.

The psychological impact of these “sales” can reignite fear of missing out, pulling speculators back into the space as they anticipate that increased attention could lead to real opportunities.

Simultaneously, Telegram’s move into the NFT arena has introduced a more accessible avenue for users to engage with digital collectibles.

On Oct. 5, Telegram launched its new “Gifts” feature — animated images that can be sent to contacts on the platform. But what’s most exciting is that these Gifts are set to be converted into NFTs later this year, with Telegram allowing users to mint these limited-edition assets on the TON blockchain.

This feature builds on Telegram’s previous introduction of its in-app currency, Stars, which users can spend on digital services within the platform. By linking NFTs to social interactions, Telegram is making NFTs more accessible to everyday users.

Telegram’s integration of NFTs is a key development because of its massive user base and the seamless experience it offers. Users will soon be able to convert these digital gifts into NFTs, trade them, and even auction them off, all while staying within the Telegram ecosystem.

While the broader market saw its lowest sales volume since January 2021 in September, these recent events have breathed new life into the sector. Whether this resurgence will hold remains to be seen, but for now, NFTs are back in the spotlight.

What to expect next?

Looking ahead, the NFT space faces some uncertainties, especially with the recent Wells notice issued by the U.S. Securities and Exchange Commission to OpenSea, the largest NFT marketplace. 

On Aug. 28, the SEC signaled its intent to take enforcement action against OpenSea, claiming that some NFTs on the platform may qualify as securities. This could have major implications for the entire NFT ecosystem.

A Wells notice is a formal warning that the SEC might pursue legal action, and while OpenSea has the opportunity to respond, the looming threat creates an atmosphere of uncertainty. 

If the SEC classifies certain NFTs as securities, it could trigger a wave of regulatory scrutiny, not just for OpenSea, but for other platforms and NFT projects. 

The potential for stricter regulations could make some investors hesitant and slow down market growth, especially for projects that don’t have clear legal frameworks in place.

At the same time, the current uptick in NFT sales seems largely fueled by hype. It remains to be seen whether this buzz will translate into long-term growth or if it’s just another short-lived trend.

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Theo Crypto News

Bahamas students each win $10k in NFT competition sponsored by Snoop Dogg’s son

Five students from the University of The Bahamas each won $10,000 for their digital music and art creations as part of the university’s NFT Digital Arts Project, sponsored by Snoop Dogg’s son Cordell Broadus.

According to a report by Bahamas media Eyewitness News, the University of The Bahamas announced the student winners of its Non-fungible token Digital Arts Projects on Oct. 7. Each student receives a prize of $10,000 for their NFT creations.

Three students won awards in the Visual Art category, while two other students won in the Music category.

The project is funded by the Champ Medici Arts Fund Scholarship Award at UB. The collaboration involved Cordell Broadus, son of American rapper Snoop Dogg, and the Tezos(XTZ) Foundation. The award was first established in March 2024 with an initial donation of $100,000.

In an interview with Eyewitness News, one of the students who won in the Music category said that he was able to learn more about NFT technology by participating in the competition.

The CMAF is a $1 million philanthropic fund started by Cordell Broadus in partnership with the Tezos Foundation. Their goal was to support emerging musicians and artists across the globe who want to build and create new creative and cultural works on the Tezos blockchain.

In a report by OurNews media, the CMAF said that the NFT competition was only the beginning of their contribution towards the university’s art and music programs. CMAF and Tezos Foundation will also give educational tutorials, materials and guidance for students on how they can use the Tezos blockchain to mint, market and sell their NFT works.

The joint initiative also plans to supply the university with relevant equipment and technology for the students so that they can pursue digital art and music initiatives in the future.

Tezos is a smart contracts proof-of-stake blockchain platform that launched in 2017 after a $232 million initial coin offering.

In June 2024, it announced a new upgrade labeled “Tezos X”, which enables an integrated blockchain ecosystem that boasts greater performance, composability and interoperability compared to the old model.

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Theo Crypto News

Weekly NFT sales rise to $85.9m, Ethereum network leads the pack

The non-fungible token market has undergone a 10.10% surge in sales volume in the last seven days.

The present data acquired from Cryptoslam shows that NFT sales volume surged in the last seven days and stands at $85.97 million.

The numbers are higher in comparison to the weekly NFT sales in the last two weeks of September.

In addition to the rise in NFT sales volume, there has been a 21.73% surge in NFT buyers. As per the latest data, NFT buyers rose to 794,763, and the NFT sellers came down to more than half at 377,711.

Supporting the rise in NFT sales volume, NFT transactions pumped by over 64.72% in the last seven days to 1,2956,201. We will take an in-depth look at the networks that have done the top sales during this time.

Ethereum stands tall in the leaderboard

Source: Blockchains by NFT Sales Volume (CryptoSlam)

According to Cryptoslam data, Ethereum (ETH) has stood tall at the first ranking with $27.48 million in NFT sales volume.

However, $3.3 million worth of the sales accounted for wash trading. The number of Ethereum NFT buyers rose by 12.49% and stood at 55,859.

Bitcoin (BTC) ranks second on the list with $12.62 million in total sales. However, there has been a 40% drop in the sales during the last seven days.

Solana (SOL) stands in the third position with $11.8 million in sales. Mythos Chain (MYTH), Polygon (POL) and Binance Coin (BNB) bagged the next spots with $11.8 million, $10.6 million and $3.35 million in sales, respectively.

Bitcoin and Solana accounted for $887,810 and $701,810 in wash trading. The highest number of buyers were recorded for Solana, which stood at 393,044.

DMarket records highest sales

NFT Collection Rankings by Sales Volume (CryptoSlam)

DMarket is the NFT collection that has recorded the highest sales in the last seven days. The sales stood at $11.29 million, which happened in over 396,801 transactions.

Guild of Guardians made it to the second position with $3.19 million in sales in over 5389 transactions. Third on the list is Ethereum-based CryptoPunks. CryptoPunks recorded a sales volume of $2.89 million during this period.

Talking about the top NFT collectible sales, here are the top NFT sales that happened during this period:

  • Autoglyphs #209 sold for $240,347.95 (99 ETH).
  • Known Origin #70104 sold for $200,000 (200,000 USDC).
  • Autoglyphs #512 sold for $160,000 (160,000 USDC).
  • Autoglyphs #293 sold for $150,008.23 (56 WETH).
  • Beeple Special Edition #100030016 sold for $123,542.80 (50 WETH).

Tổng hợp và chỉnh sửa: ThS Phạm Mạnh Cường
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